Nothing but the very best – RED digital cinema & Gates Deep Dragon!
ginclearfilm is proud to be the first and only underwater production company in Australia to be able to offer the GATES DEEP DRAGON underwater housing for RED Digital Cinema EPIC Dragon, SCARLET Dragon, Epic X and Scarlet X Ultra high definition 16 Bit RAW cameras. We are currently using the housing with SLR glass which cover full frame, produces beautifully sharp images and offer unprecedented motion pictures underwater either for factual / documentary high definition television or cinema feature films. ginclearfilm can pretty much accommodate all stills and PL glass available on the market today ensuring the best possible image whether for natural history or drama production.
We also have lightweight splash / surf protection which allow quick changes from surface shooting to underwater shooting
EPIC-Dragon is a high-performance, production-run DSMC® camera designed for professional still and motion image acquisition. Capture 6K images from 1-120 fps and take advantage of an arsenal of features such as HDRx, wireless remote control (via REDmote), and modular design – without the burden of dealing with a large, bulky system.
Please email us for availability and full gear list: enquiries@ginclearfilm.com
TECH SPECS EPIC Dragon
| Sensor | 19 MEGAPIXEL RED DRAGON® |
| Pixel Array | 6144 (h) x 3160 (v) |
| S/N Ratio | 80 dB |
| Dynamic Range | 16.5+ stops |
| Max Image Area | 6144 (h) x 3160 (v) |
| Lens Coverage | 30.7mm (h) x 15.8mm (v) x 34.5 mm (d) |
| Acquisition Formats | 6K RAW (2:1, 2.4:1) 5K RAW (Full Frame, 2:1, 2.4:1 and Anamorphic 2:1) 4.5K RAW (2.4:1) 4K RAW (16:9, HD, 2:1 and Anamorphic 2:1) 3K RAW (16:9, 2:1 and Anamorphic 2:1) 2K RAW (16:9, 2:1 and Anamorphic 2:1) 1080p RGB (16:9) 720p RGB (16:9) |
| Project Frame Rates | 23.98, 24, 25, 29.97, 47.96, 48, 50, 59.94 fps, all resolutions |
| Delivery Formats1 | 4K: DPX, TIFF, OpenEXR (REDRAY® via optional encoder) 2K: DPX, TIFF, OpenEXR (REDRAY via optional encoder) 1080p RGB 4:2:2, 720p 4:2:2 : Quicktime, JPEG, Avid AAF, MXF 1080p 4.2.0, 720p 4:2:0 : H.264, .MP4 |
| Program Output | HD-SDI Clean Feed 2K RGB, 1080p RGB or 4:2:2, 720p 4:2:2 SMPTE Timecode, HANC Metadata, 24-bit 48Khz Audio |
| Monitor Output | HD-SDI and HDMI with Frame Guides and Lookaround 2K RGB, 1080p RGB or 4:2:2, 720p RGB or 4:2:2 SMPTE Timecode, HANC Metadata, 24-bit 48Khz Audio |
